{"id":600,"date":"2023-05-16T15:52:16","date_gmt":"2023-05-16T22:52:16","guid":{"rendered":"https:\/\/portlandartmuseum.org\/?page_id=600"},"modified":"2026-04-01T13:03:02","modified_gmt":"2026-04-01T20:03:02","slug":"press-office","status":"publish","type":"page","link":"https:\/\/portlandartmuseum.org\/press-office\/","title":{"rendered":"Press office"},"content":{"rendered":"\n
\"Photo<\/figure>\n\n\n\n

Press are always welcome at the Portland Art Museum \u2014 we value our relationships with writers, editors, and critics. We are grateful for the work you do to keep our community up to date on our latest news, exhibitions, and programs.<\/p>\n\n\n\n

See hours and admission<\/a> to plan your visit.<\/p>\n\n\n\n

Let us know you’re coming<\/h2>\n\n\n\n

We’d love to make sure you’re set up for success with admission, interview access, and necessary equipment. <\/p>\n\n\n\n

Ian Gillingham, Press & Publications Manager
<\/strong>ian.gillingham@pam.org<\/a><\/p>\n\n\n\n


General inquiries
<\/strong>pressoffice@pam.org<\/a><\/p>\n\n\n\n

Call
<\/strong>503.276.4385<\/p>\n\n\n\n

Check in when you arrive<\/h3>\n\n\n\n

Ask for the press sign-in sheet at either entrance to receive complimentary admission for you and your guest. <\/p>\n\n\n\n

General press resources<\/h2>\n\n\n\n
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\"Exterior<\/figure>\n<\/div>\n\n\n\n
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Museum exterior images<\/h5>\n\n\n\n
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Download on NetX<\/a><\/div>\n<\/div>\n\n\n\n
Visitors in galleries<\/h5>\n\n\n\n
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Download on NetX<\/a><\/div>\n<\/div>\n\n\n\n
Youth and family photos<\/h5>\n\n\n\n
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Download on NetX<\/a><\/div>\n<\/div>\n\n\n\n
Tomorrow Theater photos<\/h5>\n\n\n\n
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Download on NetX<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Current and upcoming exhibitions with press resources<\/h2>\n\n\n\n
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\"Person<\/figure>\n<\/div>\n\n\n\n
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David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation<\/h3>\n\n\n\n

Feb 14, 2026 \u2013 Jul 26, 2026<\/p>\n\n\n\n

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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"Abstract<\/figure>\n<\/div>\n\n\n\n
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The Stars We Do Not See: Australian Indigenous Art<\/strong><\/h3>\n\n\n\n

Sep 5, 2026 \u2013 Jan 3, 2027<\/p>\n\n\n\n

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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Past exhibitions with press resources<\/h2>\n\n\n\n
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\"Three<\/figure>\n<\/div>\n\n\n\n
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Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer <\/h3>\n\n\n\n
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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"A<\/figure>\n<\/div>\n\n\n\n
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Yoshida Chizuko<\/h3>\n\n\n\n
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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"Print<\/figure>\n<\/div>\n\n\n\n
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Monet\u2019s Floating Worlds at Giverny: Portland\u2019s Waterlilies Resurfaces<\/h3>\n\n\n\n
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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"Psychedelic<\/figure>\n<\/div>\n\n\n\n
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Psychedelic Rock Posters and Fashion of the 1960s<\/h3>\n\n\n\n
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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"Black<\/figure>\n<\/div>\n\n\n\n
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Paul McCartney Photographs 1963\u201364: Eyes of the Storm<\/h3>\n\n\n\n
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Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n
\n
\"Still
Pierre-Auguste Renoir (French, 1841\u20131919). Still Life with Blue Cup, circa 1900. Oil on canvas, 6 x 13 1\/8 in. (15.2 x 33.3 cm). Brooklyn Museum, Bequest of Laura L. Barnes, 67.24.19. (Photo: Sarah DeSantis, Brooklyn Museum)<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

Monet to Matisse: French Moderns<\/h3>\n\n\n\n

June 8 \u2013 September 15, 2024<\/p>\n\n\n\n

\n
Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n\n\n\n
Programs update<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
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\"Photo<\/figure>\n<\/div>\n\n\n\n
\n

Future Now<\/a><\/h3>\n\n\n\n

March 31 \u2013 August 11, 2024<\/p>\n\n\n\n

\n
Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n\n\n\n
Programs update<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n
\n
\"Portrait
Jeffrey Gibson. Photo by Brian Barlow<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

2024 Venice Biennale: Jeffrey Gibson<\/a><\/h3>\n\n\n\n
\n
Announcement<\/a><\/div>\n\n\n\n
November 2023 update<\/a><\/div>\n\n\n\n
February 2024 update<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n
\n
\"Corita<\/figure>\n<\/div>\n\n\n\n
\n

Throughlines<\/a><\/h3>\n\n\n\n

Oct 28, 2023 – Nov 1, 2024<\/p>\n\n\n\n

\n
Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n
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\"Black<\/figure>\n<\/div>\n\n\n\n
\n

<\/a>Black Artists of Oregon<\/a><\/h3>\n\n\n\n

Sep 9, 2023 \u2013 Mar 30, 2024<\/p>\n\n\n\n

\n
Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\"A<\/figure>\n<\/div>\n\n\n\n
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<\/a><\/a>Africa Fashion<\/a><\/h3>\n\n\n\n

Nov 18, 2023 – Feb 18, 2024<\/p>\n\n\n\n

\n
Press kit<\/a><\/div>\n\n\n\n
Opening announcement<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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See all exhibitions<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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